sonic / filmic / liminal

these are not good work.

or, I am not in a position to judge them as such.

but they serve a purpose. They exist to make a point, or attempt one. I like them well enough.

I am not particularly inclined towards image work. This has long been a disappointment for me. I haven’t taken to cameras, though I have owned a few. I am terrible with figures (both photographic and pictographic). My pacing seems wrong. But I like what I do with sound.

Sound by itself, especially that which I am calling my post-noise work (post-noise in the sense of post-rock. it comes after and is informed by foundational noise artists but is not of the same tradition, cannot approach noise in the same manner), likely creates interesting visual imagery in the mind’s eye. It is likely not what is herein paired.

And it is that pairing, that forced juxtaposition that is meant to be focused upon here. Images out of focus, repeated, permuted, stalled that are forced into conversation with sonic elements that drift, that also permute but differently, that do not align. What is the reason? Why these images? Why these sounds? What does it all mean?

I make noise to be liminal. To test boundaries, to recognize and trace boundaries. To raise questions that cannot yet be answered. The abyss is calling. We lack perspective. One must enter the vortex, knowledge (even knowledge through madness) is necessary for life. These videos seek one such liminal zone, one such barrier island, one such no man’s land. Do they find it? Do any of us?


music courtesy of Delta Brainwave Society

film courtesy of Delta Brainwave Society