The other day I saw a headline about a septicemic plague fatality and that started this process. Yesterday, this phrase “(To discredit, promote distrust, disuade, deter, delay or disrupt)” jumped out at me from an article on The Intercept and I began reading Elizabeth Kolbert’s The Sixth Extinction. This morning I was reminded that a bit of garlic, some onion or leek, copper, wine and oxgall can kill MRSA and gator blood is even more potent. I started watching The Last Ship. From these disparate points, I began a thought trail that led to this:
[This will be an exercise in hyperstition, heuretics, and thoryvological associative analysis. The following is not meant to be true but æffective, not inherently factual nor necessarily faithful to the original context/intent. The quotes are kept intact and in, for the most part, complete sentences but they are robbed of their originary order and context and juxtaposed in disparate dissonance and harmony with intent bound by the above impulses and ideas, marked by the passing of this the 23rd day of the month. It is not a question of what it means but what it can do.]
This is a textual machine designed to produce other machines. What mattered here wasn’t the author(s) or the means of textual production at all, but rather the circulation and the effects of the text in the world. This is, of course, a demand for complicity. I insist on your freedom. Your tormentors will be purified.
There were things in the text I hadn’t been expecting. Uncomfortable, complicating passages. The distortion of a text is not unlike a murder. The difficulty lies not in the execution of the deed but in the doing away with the traces. The thing is easily false. But the meaning, to this day, still escapes us. This is the lesson you forgot.
Of course, words fail.
I love you because there’s nothing else to do. A rage to live, an urge to goodness. Love.
The utterance threw them into confusion or rather angered them further, which often comes to the same thing. Who were these people who could live so placidly while the world fell into an acute global environmental crisis? In our era of natural disasters, climate change, global pandemics, and the ongoing specter of bioterror, we are continually invited to think about humanity in relation to its real, hypothetical, or speculative extinction. Yet to go back is to go forward into uncertainty and invention.
I think there’s still a small block of original quiet that exists in the world. Theory in itself did not free people to reach into a deeper area of sound. Noise also functions in the cybernetic sense, as a result of its viral functioning in the world.
On the universal face of the world, the grand old Pan, the son of all the dead, is dead. The previous habitation of space is a trace that may then go on to constitute it in the future, in its absence. No longer is there a here or appropriation; we live as transients or tenants, deprived of a fixed abode. There is no more space, no more history, no more time. In the end the black river would burst its banks to become a black sea whose centre was everywhere and circumference nowhere.
There is no stillness, only change. A movement unlocked my attention. It was a derelict. A relic of something nine-tenths collapsed. Nothing decays either, moreover; nothing truly perishes. In this case, chance as nonsense is visible in the very insignificance of its result. In neither case would one be left with anything except a radically dysfunctional wreck, terminally shut-down hardware.
There is nothing, and it cannot be known. Either I do not know the world, or I do not know myself. Nothing alive is ever quite in balance.
I know there is no boatman. It was incomprehensible to her: they didn’t want to know. By necessity there are other characteristics that are not accounted for, that are not measured, and that remain hidden and occulted. The shipwreck will preclude the apocalypse.
Without noise, all we do is repeat. The repetition of noise intoxicates as much as violence. Deep thick silence thundered from behind the closed door. And what he finds there is a terrifying abyss, where there is neither certitude nor knowledge, nor even a single thought – just a tenebrous, impassive silence. There was complete silence, intermittently broken by the faintest electronic sounds – something between a distant computer game and muffled speech software. It was like there was this hole in the quiet. Every living creature, animal and human both, was terrified by this cacophony.
Following the shaman into the cave. We’ve never lost any of that. We are swept on by a whirlwind which dates back to the dawn of time; and if this whirlwind has assumed the aspect of an order, it is only the better to do away with us. The world was spun out of a blade of grass: the world was spun out of a mind. Except never to see or feel that black river that cannot be crossed, but flows like a nothingness through the hole of you. Chaos? Chaos is rejecting all you have learned, chaos is being yourself. The seduction of the arbitrary alarms us. Thought that stumbles over itself, at the edge of an abyss. It is a kind of mysticism that can only be expressed in the dust of this planet. After having sought to be a sage such as never was, I am only a madman among the mad.
While looking for the light, you may suddenly be devoured by the darkness and find the true light. Our luminescent, naked bodies dissolve into a swarm of obscure creeping things, and we are a mass of glutinous coiling worms, endless. How we would conduct ourselves if dragged to its depths, where eternal darkness is punctured only by its bioluminescence, remains to be seen. We do not dislike everything that shines, but we do prefer a pensive luster to a shallow brilliance, a murky light that, whether in a stone or an artifact, bespeaks a sheen of antiquity. Something strange slowly washed over and enveloped me like the black ink of an octopus, as I stood there in the stand, and I felt above all like screaming out the story of my experience, such as they were. The man who has never imagined his own annihilation, who has not anticipated recourse to the rope, the bullet, poison, or the sea, is a degraded galley slave or a worm crawling upon cosmic carrion. For now, at least, it is only with its help that we can hope to orient ourselves in the darkness of the abyss.
Once again he felt that he had crossed over into a space where the real world had taken on all the qualities of a dream, becoming as glossy and surreal, as unlikely and beautiful, as stuffed to a dark sheen with ungraspable meaning. What spell had been cast around me to make my hold on reality feel so tenuous? I didn’t know if the noise had been part of some dream I’d been having or a real, external thing. A world whose margins would become capricious, but this caprice would not refer to any hidden intention. Rather, it involves the generation of memory outside of and apart from any possible experiential event. Dark traces of the past lay in his soul, ready to break through into the regions of consciousness. That interference covers the sense with non-sense by scrambling it and making his words into waste, or by covering it up with other words. It was as if I was in a madness and a frenzy and a depression that older and wiser peoples may once have denominated the descent of a god, which seized me and for which, though I had no control, I am nevertheless to blame.This truth law has no more reality than the world. Roaring dreams take place in a perfectly silent mind. Now that we know this, throw the raft away.
Do you think the emptiness of the sky will ever crumble away?
Sources (in the order by which I claimed them):
Kim Stanley Robinson, Forty Signs of Rain
Justin Clemens & Helen Johnson, The Black River
Michel Serres, Malfeasance
Critical Art Ensemble, Marching Plague
Vilém Flusser, Vampyroteuthis Infernalis
Jun’ichirō Tanizaki, In Praise of Shadows
Naomi Oreskes & Erik M. Conway, The Collapse of Western Civilization
E.M. Cioran, A Short History of Decay
Jack Kerouac, The Scripture of the Golden Eternity
Sigmund Freud, Moses and Monotheism
Eugene Thacker, An Ideal for Living
Quentin Meillassoux, Science Fiction and Extro-Science Fiction
Ed Keller, Nicola Masciandaro, Eugene Thacker (eds.), Leper Creativity
Quentin Meillassoux, The Number and the Siren
Joe Morris, Perpetual Frontier
Nick Land, Fanged Noumena
Steven Hall, The Raw Shark Texts
Eugene Thacker, In The Dust of This Planet
Eugene Thacker, Starry Speculative Corpse
Eugene Thacker, Tentacles Longer Than Night